Summary of a sample of Zavtra.ru articles published in 2014

LLM-generated content, may include inaccuracies

This page includes LLM-generated summaries of articles published on Russian weekly newspaper Zavtra. They may be useful for a first overview of the contents published by Zavtra, but they have not been reviewed and they almost certainly include inaccuracies.

Clicking on the title of each article will bring you to the original publication on Zavtra’s official website.

This page includes an LLM-generated summary of a random sample of 100 articles out of a total of 1 220 articles published in 2014 (coverage: 8%). For more context, details on how this was implemented, and links to other years, see the index page.

Smart service

2014-01-02 - Mikhail Boltunov

Leonid Medvedev was a remarkably accomplished and intriguing figure. Born in 1933, he began his career as a military intelligence officer with the Soviet GRU, initially stationed in Turkey and later in Syria. His role was multifaceted, encompassing journalism, historical research, and translation, often operating in politically volatile environments.

Initially, he served as a lieutenant in the GRU, focusing on intelligence gathering and analysis, particularly in Turkey. He later transitioned to Syria, where he continued his work as a correspondent for “Pravda” (The Truth) newspaper, reporting on the rising influence of the Ba’ath Party and the growing power of Saddam Hussein. He was involved in numerous sensitive operations, including gathering intelligence from Iraqi leaders and documenting the escalating tensions in the region.

Medvedko’s career culminated in a long tenure as the head of a crucial command post within the GRU, responsible for providing real-time intelligence assessments to the highest levels of Soviet leadership. He was known for his insightful analysis and ability to distill complex information into concise reports, a skill that earned him the nickname “the smart service.” He mentored numerous young officers and left a lasting legacy within the GRU. His career spanned over four decades, marked by numerous challenging assignments and a deep understanding of geopolitical dynamics.

Do you remember, Alexey?..

2014-01-09 - Anna Skok

This text details the somewhat bizarre and convoluted story of the “Archive of Alexei Surkov,” a collection of 59.5 kilograms of documents acquired by Russian businessman and former literary figure Mikhail Seslavinsky and subsequently donated to the State Literary Museum. The archive originated from the estate of poet Alexei Surkov and was initially obtained by dealers who had purchased it from Surkov’s family.

The acquisition was heavily publicized, attracting a notable list of attendees including prominent journalists, officials, and literary figures. However, the archive itself proved to be largely unremarkable, consisting of a mix of handwritten documents, typed copies, and correspondence, including complaints, requests, and even a faxed “facsimile” of a signature.

The story is marked by a series of missteps and confusion. Seslavinsky’s purchase was driven by a misleading claim about a Брежнев signature, and the archive quickly became overvalued and difficult to sell. Surkov’s daughter, Natalia Surova, became involved, attempting to track down the archive and understand its origins. The archive’s provenance is murky, with documents having been previously held by the Russian Literary Society and eventually by Surkov’s family.

Ultimately, the archive’s significance remains questionable, and the entire episode highlights a series of misunderstandings, misrepresentations, and a general lack of clarity surrounding the archive’s origins and contents. The story is presented with a degree of skepticism and suggests a deliberate attempt to stir controversy and potentially exploit historical narratives.

Dreaming is not harmful.

2014-01-09 - Anastasiya Belokurova

The provided text is a lengthy review of Ben Stiller’s film adaptation of James Thayer’s “The Secret Life of Walter Mitty,” exploring its place within a history of similar films (including the 1947 version starring Danny Keough) and the various attempts to cast the role. It discusses the film’s themes of escaping mundane reality through fantasy, the director’s approach to balancing “smart” and “human” storytelling, and the film’s connection to the original LIFE magazine story and its eventual subject, George Story. The review highlights Stiller’s somewhat controversial position in Hollywood, his attempts to create more auteur-driven work, and the film’s overall message of embracing risk and finding personal fulfillment, drawing parallels to David Bowie’s “Space Oddity.”

Apostrophe

2014-01-09 - Bartlet Grin

The review describes Andrei Bychkov’s collection of short stories, “In the Mad Mantles,” as a deliberately unsettling and emotionally detached work. The stories feature sterile, anonymous characters in a timeless, ambiguous setting – primarily America, Moscow, and the spaces between – where violence and unsettling encounters are commonplace but devoid of meaning or consequence. The author creates a sense of unease through repetitive descriptions, circular narratives, and a focus on mundane details, blurring the lines between reality and a disturbing dreamlike state. The characters are faceless and their actions are presented without judgment or explanation, leading to a feeling of profound emptiness and alienation. The collection’s impact stems from its exploration of a world where everything has been reduced to absurdity, and where the characters are trapped in a state of perpetual, meaningless existence. The reviewer contrasts Bychkov’s work with that of Viktor Mamleyev, highlighting the key difference being the grounding in a specific historical context, whereas Bychkov’s stories exist in a timeless void.

Return to the Unio

2014-01-09 - Redaktsiya Zavtra

This text presents a multifaceted discussion regarding Russia’s current geopolitical situation and the challenges of national identity. Several speakers offer differing perspectives, primarily focusing on the evolving relationship between Russia and the West, and the internal dynamics of national identity within Russia.

Sergei Glaziev highlights a shift in Russia’s state thinking, suggesting a move towards asserting its interests, particularly regarding Ukraine, and a recognition of the West’s intentions. He emphasizes that Russia is no longer simply a passive recipient of Western dictates but is actively pursuing its own strategic goals.

Several other participants discuss the complexities of national identity, particularly the tension between a traditional, imperial vision and the realities of a diverse, modern nation. There’s a recognition that Russia’s national identity is being shaped by external pressures and internal contradictions, with a focus on countering what is perceived as Western influence. The discussion touches on the importance of economic and strategic considerations in shaping Russia’s foreign policy, and the need to address internal challenges related to national identity and economic development. The speakers acknowledge the need for a pragmatic approach to national identity, recognizing the need to balance traditional values with the demands of a globalized world.

The Hundredth Year (of Perm)

2014-01-23 - Yuliya Kvasok

The exhibition “Objects of Cult” is a contemplative experience, offering a collection of wooden sculptures and religious artifacts primarily from the Perm region. The display features a diverse range of items, including icons, sculptures, and ecclesiastical vestments, spanning from the 17th to the 20th centuries.

The collection’s origins are rooted in the legacy of the Stroganov family, wealthy patrons who played a significant role in Russian history, particularly in Siberia. They commissioned artwork and supported religious endeavors, reflecting a blend of cultural influences – including indigenous traditions, Western European styles, and Orthodox Christianity.

A key element of the exhibition is the collection of wooden sculptures created by the Permi people, a local ethnic group. These sculptures, often imbued with animistic beliefs and depicting figures like Jesus, saints, and everyday people, were originally intended for household use and religious rituals. The exhibition highlights the unique artistic style and spiritual beliefs of the Permi.

The display also incorporates elements of Soviet-era history, including a memorial to a revolutionary worker and a heart-shaped stone placed in the courtyard of a major medical center. The exhibition ultimately presents a layered narrative of Russian history, culture, and religious belief, emphasizing the enduring power of art and faith.

Something about Pamela

2014-01-23 - Anastasiya Belokurova

The film “Save Mr. Banks” (2013) tells the story of Pamela Lydon Trevers, an English children’s book author, and her contentious collaboration with Walt Disney to adapt her classic “Mary Poppins” story. Trevers, struggling financially, accepts Disney’s offer to revisit the project. Despite Disney’s efforts to appeal to her traditional sensibilities, Trevers remains resistant to Disney’s vision, rooted in her personal history and memories of her deceased father, a romantic figure who inspired the character of Mr. Banks. The film highlights the clash between American and British perspectives, the challenges faced by writers of the era, and the remarkable performance of Emma Thompson as the stubborn yet endearing Trevers. Ultimately, the film is praised for its emotional resonance and its status as a rare, heartfelt cinematic experience.

Apostrophe

2014-01-30 - Georgiy Sudovtsev

The text is an introduction to a book by Kaluga Governor Anatoly Artamonov titled “Success Option,” which explores Russia’s economic challenges and potential solutions. Artamonov argues that Russia’s problems stem not from capitalism itself, but from a lack of genuine capitalist ownership – where enterprises are controlled by workers or managers rather than former directors who often benefit disproportionately from sales. He contrasts this with Western firms that receive state support and favorable financing. The book features a diverse range of contributors, including business theorists, fashion designers, and a British prince, alongside historical figures and a poet from Kaluga. Artamonov’s approach is rooted in a pragmatic, “get your hands dirty” philosophy, focused on revitalizing his region. The text concludes by suggesting that Artamonov’s insights could be valuable at a national level, framing Russia as a fundamental “fate” rather than a project.

Hell Machine - International Adoptio

2014-02-06 - Irina Medvedeva

This text expresses significant concern regarding a proposed shift in Russian child welfare policy, driven by perceived Western influence and strategic interests. It argues that the “Law on Dmitry Yakovlev,” restricting international adoptions, is part of a broader effort to gain control over Russian children. The core argument is that the US, through initiatives like the “Children in Family First” (CHIFF) bill and programs like “social patronage,” seeks to dismantle Russian orphanages and foster care systems, replacing them with Western-style foster families and potentially introducing disruptive influences.

The text highlights several key anxieties: the potential for increased social instability, the risk of Western organizations gaining undue influence over Russian families, and the possibility of children being manipulated or recruited by subversive groups, particularly sects with ties to the “Orange Revolution.” It criticizes the expansion of “social patronage” and the use of foreign funding to reshape Russian family structures.

The author advocates for a reversal of this trend, proposing a complete ban on international adoptions, increased support for biological families, stricter criteria for child removal, and increased oversight of NGOs receiving foreign funding. They also call for a shift in information dissemination to promote values aligned with Russian national interests. The overall tone is one of urgent warning against a perceived threat to Russia’s demographic and geopolitical stability.

Display board

2014-02-27 - Sluzhba bezopasnosti Denʹ

The 2022 Winter Olympics in Sochi demonstrated a shift in global sports with reduced influence from dominant nations, primarily driven by technological advancements and targeted athlete development. Russia faces a potential socio-economic crisis due to declining GDP, currency devaluation, rising prices, and increased taxes, potentially leading to widespread protests similar to those in 2011-2012. Actions like revoking banking licenses are seen as warnings against the Binbank and Gülerce family, with concerns about potential support for a “Moscow Maidan” influenced by Islam. A European Parliament statement regarding financial aid to Ukraine is considered a political bluff, likely to be provided by the IMF under strict conditions. Statements discouraging Russian intervention in Ukraine are viewed as provocative, prompting a potential formal protest from the Russian Foreign Ministry.

Apostrophe

2014-03-06 - Daniil Toropov

This encyclopedia, the final volume of a five-part series, comprehensively examines Russian revolutionary thought from the mid-19th century to the 1917 October Revolution. The series covers a broad spectrum of Russian social and political thought, including revolutionary democrats, populists, socialists, and anarchists. Despite being a well-known area of study, serious academic research into this topic has been lacking for decades, often hampered by overly simplistic or politically motivated approaches. The encyclopedia aims to trace the development of revolutionary ideas within their specific Russian context, focusing on key concepts, influential figures (ranging from Bakunin to Lenin), and relevant periodicals. However, contemporary left-wing movements in Russia often appear unconvincing in comparison, relying heavily on social media and lacking genuine intellectual depth and historical understanding.

This is Russia, gentlemen!

2014-03-13 - Nikolay Starikov

This text argues that Vladimir Putin’s presidency was a crucial, albeit unconventional, period for Russia, characterized by a deliberate dismantling of the country’s problems and a strategic reorientation towards national strength and independence. It frames Putin’s actions – including the privatization of state assets and the suppression of dissent – as a necessary “antivirus” program to cleanse Russia of corrupt and destabilizing influences, primarily from Western “globalist” forces.

The author contends that Putin skillfully exploited a “Russian code” – a deep-seated national pride and a willingness to fight for Russia’s interests – to achieve remarkable success in rebuilding the country’s economy and restoring its geopolitical standing. This success, however, was built on a temporary “function” – the role of a destructive force – that must eventually transition into a more constructive “operating system” focused on developing Russia’s own “Russian civilization.”

The text emphasizes the importance of maintaining Russia’s unique cultural and civilizational identity, warning against blindly adopting Western models. It concludes with a call for Russia to continue its path of self-reliance and national strength, guided by a renewed commitment to its own values and traditions.

Battle for History

2014-03-13 - Vladimir Karpets

This lengthy text is a highly critical and nostalgic reflection on Russian history, particularly focusing on the figure of Tsar Nicholas I and the perceived failures of the White movement. The author expresses deep skepticism towards Vladimir Putin’s use of the “Nicholas the Bloody” epithet, viewing it as a symptom of a broader rejection of Russian history and a failure to understand the role of the Tsar as the unifying figure of the nation.

The core argument is that Putin’s actions represent a regression, echoing the mistakes of the past, specifically the White movement’s attempts to rally support through religious imagery and ultimately, its defeat. The author critiques Putin’s nostalgia for a “crimson” Russia, arguing it’s a subconscious rejection of the White cause.

The text emphasizes the importance of a unified Russian identity, rooted in historical continuity and the figure of the Tsar as the guarantor of that unity. It accuses Putin of failing to “grow up” – of not fully understanding the weight of the Russian historical legacy and the responsibilities associated with the role of the supreme ruler. The author identifies Putin as a “Kuzma Minin,” a figure who, despite being in a position of leadership, lacks the necessary understanding and vision to guide the nation. The text ultimately calls for a return to genuine Russian thought, emphasizing historical awareness and a recognition of the Tsar’s central role in Russian identity.

The hunt has been declared.

2014-03-20 - Mariya Karpova

Alexander Kharitonov, the self-elected governor of Luhansk, was abducted by unknown representatives of the Kyiv authorities on March 13th in Luhansk. Kharitonov was previously summoned for questioning and participated in a protest demanding an end to political repression. Following a meeting with the SBU, he was kidnapped while eating lunch and attempting to hold a referendum on Luhansk’s integration into Russia, a referendum that local deputies refused to support. Kharitonov, leading an organization recently formed to advocate for a union with Russia, claims to be receiving threats and facing opposition from Kyiv authorities.

The word must be sacred.

2014-03-20 - Alla Novikova-Stroganova

The text primarily focuses on the enduring legacy of Nikolai Gogol’s ideas regarding the spiritual rebirth of Russia and the “resurrection of the dead.” Gogol deeply felt a connection to his homeland and believed he had a crucial mission. He saw his role as blessing Russian literature to serve ideals of good, beauty, and truth. While Russian writers followed Gogol’s lead, no one articulated the profound questions he posed – “Rus’, what do you want from me? What inscrutable connection lies between us? What do you look at so, and for what reason have all things within you turned to me with expectant eyes?” Gogol emphasized the importance of service and a moral life, stating that “a writer, if he is gifted with creative force to create his own images, should be educated first as a man and a citizen of his land…”

Gogol’s views on the Church and clergy – particularly the distinction between Roman Catholic and Orthodox priests – highlight the need for spiritual purity and selfless service. He believed in a strict code of conduct for writers, emphasizing honesty and the avoidance of empty rhetoric. He experienced a profound personal reckoning, recognizing his own flaws and striving for spiritual renewal.

His creative work, particularly “The Government Inspector” and “Dead Souls,” possesses an almost apocryphal quality, offering moral lessons and warnings. Gogol’s prophetic insights into Russia’s social and spiritual crisis continue to resonate today, as expressed by figures like Tolstoy and Dostoevsky. He urged Russians to embrace a life of service and moral integrity, ultimately seeking the “resurrection of the dead” – a spiritual awakening. His final words, urging readers to be “living souls,” encapsulate his core belief: that Russia’s salvation lay in the moral transformation of its people.

Prayer Book for Crimea

2014-03-20 - Mikhail Kilʹdyashov

Amidst modern arms races and threats, the secularized West possesses a unique spiritual weapon: prayer and the intercession of saints. During the Syrian apocalypse, it was partially averted through prayer and the intercession of St. John Damascene. Currently, efforts to provoke a new “Slavic apocalypse” are being countered by the spiritual strength of fraternal nations. Across Russia, prayers are offered for peace in Ukraine, seeking to banish the “horse of death.” Key religious sites, including the Kyiv-Pechersk Lavra, Sergiev Lavra, and Pskov-Pecherov Lavra, are involved in this collective prayer. Specifically, the intercession of St. Luke of Crimea, a physician and saint, is crucial, particularly in the face of attempts to disrupt the protective “divine covering” over Crimea. St. Luke’s life, encompassing medical expertise and spiritual guidance, is seen as a unifying force. His works, including “On Purulent Surgery” and “Spirit, Soul, and Body,” blend science, philosophy, and scripture. Miraculous healings continue at his shrine. Prayers for Crimea include protection, fertility, deliverance from famine, and guidance for the lost. The central prayer, “Saint Luke, our father, pray to God for us,” is offered throughout Russia and Crimea.

It’s done!

2014-03-20 - Olʹga Kovalik

This text recounts the story of Alexei Mikhailovich Chaly, a Sevastopol resident who emerged as a key figure during a period of perceived political crisis in the city. Following a city-wide gathering, Chaly was elected head of the executive authority, driven by a desire to assert Sevastopol’s “iron will” and rejection of Ukrainian “neofascist ideology.” He spearheaded the “Third Defense of Sevastopol” and actively promoted the city’s Russian identity through initiatives like the “35th Coastal Battery” museum complex. The narrative emphasizes Chaly’s patriotic actions, his skillful management of the city, and his determination to ensure Sevastopol’s eventual integration into the Russian Federation, a prospect celebrated by the city’s residents. The text portrays Chaly as a crucial figure motivated by love for his city and a desire to safeguard its future.

Under the Hand of the Russian Miracle

2014-03-27 - Aleksandr Prokhanov

This text explores the concept of “Russian чудо” – miracles – throughout Russian history, particularly focusing on the unexpected resurgence of interest in Crimea. It argues that Russia has a history of experiencing miraculous interventions, often defying logical explanation, and that this phenomenon is deeply ingrained in the national psyche. The conversation centers around interpreting the opening ceremony of the 2012 Olympic Games, specifically the imagery of a mythical “Kitezh” ship rising from the sea, symbolizing Russia’s historical and ongoing role as a powerful, almost divinely-guided force.

The discussion delves into the historical significance of Crimea as a recurring symbol of this “Russian чудо,” connecting it to the nation’s imperial past and its enduring ambition. It also examines the complex relationship between Russia’s historical interventions – often framed as miraculous – and contemporary geopolitical events, including the ongoing struggle for influence in the Arctic and Russia’s assertive foreign policy. The conversation ultimately suggests that Russia’s ability to defy expectations and achieve seemingly impossible outcomes is a defining characteristic of its national identity, rooted in a belief in divine intervention and a willingness to challenge established norms.

Art therapy

2014-04-03 - Aleksey Kasmynin

The text details an exhibition of works by Vladimir Yakovlev, a Soviet avant-garde artist who lived a complex and often troubled life. Despite being nearly blind and spending much of his life in a psychiatric hospital, Yakovlev created a significant body of abstract and figurative paintings, influenced by various artistic movements including abstract expressionism and the Orphic Cubism. The exhibition highlights his unique approach to art, particularly his use of it as a form of therapy, given his personal struggles. Yakovlev’s work is characterized by intense emotional expression, a fascination with capturing the essence of subjects – including animals – and a willingness to experiment with different styles. The text emphasizes his resilience and ability to transform his personal challenges into artistic expression, showcasing a significant collection of his paintings and a documentary film about his life and work.

Vasily Boiko-Great: “Our ideal is Holy Russia!”

2014-04-03 - Andrey Fefelov

Vasily Boiko-Veliky discusses his business journey, starting with his scientific background before founding a successful trading company focused on aluminum stocks. He attributes his shift to business to the limitations he perceived in scientific research, finding it lacked the ability to truly understand the universe. His company, “Русское молоко,” is a unique, ecologically-focused agricultural enterprise with a strong Orthodox Christian identity, demonstrated by the removal of barcodes and the invocation of figures like Ivan the Terrible. The company’s operations are complicated by ongoing legal battles, including accusations of fraud and a lengthy criminal investigation, stemming from its activities in the Ruza district. Boiko believes the legal issues are driven by ideological opposition and a deliberate attempt to undermine his company, fueled by misinformation and a rejection of historical figures like Ivan the Terrible. He views the situation as a struggle between a spiritually-grounded enterprise and a force seeking to disrupt Russia’s traditional values and agricultural practices. He expresses a cautious optimism, believing that divine intervention and unwavering faith are crucial to overcoming the challenges and maintaining the company’s success, emphasizing the importance of loyalty to the Tsar and a reliance on spiritual foundations.

Musi

2014-04-03 - Andrey Smirnov

“Тлен” by Prokhord and Puzo is a significant, multi-faceted indie project led by Viktor “Puzo” and Alexei “Prokhord” Moiseev. The album, a blend of gothic chanson, industrial elements, and post-punk influences reminiscent of bands like “Zвуки Му” and “НОМ,” is characterized by its dark, satirical lyrics and a distinct cultural and artistic hierarchy. The project draws comparisons to Messer Chups and incorporates elements of “black tax” and a critical perspective on contemporary society. Despite a melancholic mood, the album possesses a surprising pop sensibility. The artwork was created by Dmitry Remizov. The duo’s approach, described as “playing with death,” aligns with their self-described “scromorokh” (fool) identity, offering a subversive and ironic commentary on the world.

Lessons of the Maidan-2

2014-04-03 - Redaktsiya Zavtra

This text presents a complex analysis of the situation surrounding Ukraine, arguing it’s largely driven by U.S. strategic interests and a disregard for Russian concerns. It posits that the U.S. is actively attempting to manipulate the situation, aiming to solidify its influence through a controlled conflict and ultimately force Russia into accepting a pro-Western Ukraine.

The core argument is that the U.S. is leveraging the chaos in Ukraine – fueled by factors like economic instability, internal divisions, and the actions of groups like the “Right Sector” – to achieve its geopolitical goals. The text highlights the unsustainable debt levels of the U.S. and the U.S.’s willingness to use extreme measures to maintain its global dominance.

Several key points are made: Russia’s actions in Crimea were a calculated response to perceived threats and a desire to protect its interests. The U.S. is attempting to maintain a narrative of Russian aggression to justify continued sanctions and intervention. The situation is characterized by a lack of genuine dialogue and a reliance on manipulative tactics. Ultimately, the text suggests a need for Russia to adopt a more assertive and independent foreign policy, prioritizing its own national interests over Western dictates.

Apostrophe

2014-04-03 - Georgiy Sudovtsev

This new, posthumously released book by Yuri Kolesnikov, “Among the Gods,” is a largely fictionalized account drawing on his experiences in Soviet intelligence. It’s a complex and somewhat contradictory narrative, presented as a “documentary novel,” filled with detailed anecdotes and observations. Kolesnikov recounts his involvement in various covert operations, including missions in Spain and during the war with Germany, often portraying both Stalin’s and Hitler’s regimes as similarly opportunistic. He offers a critical perspective on the events surrounding the assassination of Eugene Konovalec, suggesting a more complex and dangerous role for him within the OUN. The book highlights the secrecy and disinformation prevalent within the Soviet system, and the deliberate omissions made by key figures in shaping historical narratives. Despite its uneven structure and occasional inconsistencies, the book is valued as a valuable, albeit unreliable, source of information about a largely undocumented period of Soviet history, revealing the hidden realities and suppressed truths of the time.

Vladimir Bugrov: “Our goal is to fly to Mars!”

2014-04-10 - Yuliya Novitskaya

The text outlines a critical situation regarding Russia’s ambitions for a Mars expedition, arguing it’s been repeatedly sidelined and hampered by shifting priorities and a lack of clear leadership. It traces the history of the project, highlighting its initial success under Королёв, followed by its suppression in 1974 and subsequent neglect. The author contends that despite recent expressions of interest from Roscosmos and the “Energia” corporation, the project’s revival hinges on establishing a clear, unified technical specification – one that isn’t influenced by competing institutional interests or a tendency to follow American technological trends.

The core argument is that a revitalized Mars program requires a focused, student-involved approach, spearheaded by a dedicated initiative within “Energia,” to avoid repeating past mistakes. The author criticizes the current fragmented approach, emphasizing the need to reconnect with Королёв’s original vision of a robust, strategically-driven Mars program, rather than pursuing less ambitious, technologically-dependent alternatives. Ultimately, the text expresses a desire to restore Russia’s position as a leading space power by refocusing on a truly ambitious and strategically-aligned Mars expedition.

It’s done!

2014-04-10 - Aleksandr Domrin

The text argues that proposed changes to Russian law regarding non-commercial organizations (“foreign agents”) are a necessary response to “soft power” exerted by Western NGOs, exemplified by events in Ukraine. It criticizes figures like Ludmila Alexeyeva for opposing the legislation, highlighting the funding her organization receives from the Russian government. The author draws parallels to the US Foreign Agents Registration Act (FARA), emphasizing its ongoing relevance and potential for stricter enforcement. It suggests that increased scrutiny of foreign-funded NGOs is crucial to prevent future “Maidan-like” events by addressing the influence of foreign-backed educational materials and funding. The text references specific US laws, such as the Logan Act and provisions regarding protest activity, to underscore the potential consequences of foreign interference.

Play in a box

2014-04-17 - Lyudmila Lavrova

The text discusses a shift in Russian television, moving away from historically revisionist programs presented by figures like L. Mlechin and N. Svanidze, and highlighting the increasing appeal of documentary and historical films, particularly those focusing on World War II. It praises recent, high-quality documentaries, such as “1944. Battle for Crimea” and “Polar Prize,” for their immersive quality and ability to promote critical thinking. The text advocates for viewers to be discerning and prioritize documentary films over potentially biased historical dramas. It also notes the emergence of diverse perspectives on the Ukrainian situation through channels like “Ukraine. Eastern Question” and “Drive Maidan,” and a satirical documentary examining the Maidan Revolution.

The road across the strait.

2014-04-17 - Sergey Dolzhnikov

The discussion centers around the feasibility and challenges of constructing a bridge across the Kerch Strait, a project initially proposed in the 1990s and revived in recent years. While the project is considered complex, involving significant technical and logistical hurdles, including a challenging seabed with potential silts up to 50 meters deep, and the lack of existing infrastructure on both sides, it’s viewed as a strategically important undertaking. Concerns include the potential for terrorist threats due to the geopolitical situation and the substantial time required for planning, design, and construction – estimated to be several years, primarily due to the extensive preparatory work. The possibility of a pontoon bridge for temporary transport is acknowledged, but not a long-term solution. The creation of a “port-hub” in Kerch is considered a vital component of the overall project, driven by anticipated increased cargo traffic. Ultimately, the project is seen as a complex, multi-faceted endeavor with significant technical and strategic implications.

Endless Story

2014-04-17 - Ilʹya Malashenkov

“You’ll Survive If You’re Lovers” (UK–France–Germany–Cyprus–USA, 2013, directed by Jim Jarmusch) is a film by Jim Jarmusch, a significant figure in contemporary independent cinema. Known for films like “Stranger Than Paradise” and “Night on Earth,” Jarmusch’s work is characterized by complexity, sophistication, and often, a degree of artificiality that can feel excessive. The film follows vampire Adam (Tom Hiddleston) and Eva (Tilda Swinton) who live on opposite ends of the world, engaging in a slow, melancholic, and largely plotless existence. Their isolated world is disrupted by the arrival of Eva’s sister, Ava (Mia Васиковска), leading to a collapse of their carefully constructed reality. The film is described as a long, drawn-out, and pretentious musical film, resembling a music video, reflecting Jarmusch’s long-standing interest in music and his connection to independent music scenes. Ultimately, the film suggests a fundamental disconnect between the elite and the common people, exacerbated by modernization and technological advancement.

Accounting of infidelity

2014-04-17 - Pavel Makarychev

The text critiques the Russian government’s internal policies, arguing that they are consistently undermined by bureaucratic inertia and a focus on short-term financial gains over strategic national interests. It highlights a disconnect between Russia’s assertive foreign policy and its dysfunctional domestic governance, particularly concerning key projects like the Customs Union and the Crimea integration.

The central figure of criticism is Sergey Shatalov, a deputy minister of finance, who is portrayed as a persistent obstacle to progress due to his rigid, financially-focused approach. Shatalov is accused of prioritizing narrow financial interests over broader economic and geopolitical goals, consistently seeking to minimize Russia’s commitments and extract maximum financial benefits, often at the expense of strategic partnerships and national development.

Specifically, the text details how Shatalov’s actions have hampered the Customs Union project by seeking to maintain artificially low domestic prices, leading to disputes with partner countries like Belarus and Kazakhstan. His resistance to removing export duties, despite the potential benefits of a fully integrated economic space, is presented as a key factor in delaying the project’s success.

Furthermore, the text argues that Shatalov’s influence extends to the Crimea integration, where his ministry is accused of implementing a restrictive tax regime that discourages investment and hinders the peninsula’s development. The overall impression is that Shatalov’s actions are driven by a cynical and short-sighted approach, prioritizing personal gain and bureaucratic control over the long-term interests of Russia.

Channel between two oceans

2014-04-17 - Aleksandr Prokhanov

The text recounts a personal recollection of hearing about the Nicaraguan Channel during the 1980s, amidst the Sandinista-Contras conflict. A young Nicaraguan commander envisioned a channel connecting the Pacific and Atlantic Oceans, intended to rival the Panama Canal and driven by revolutionary ideals. Now, Nicaragua is partnering with China and Russia to construct the channel, slated for completion by the late 2010s. This project, viewed by the author as a strategic move, is causing concern in the West, particularly regarding Russia’s growing influence in the region. The author believes the channel’s construction represents a significant geopolitical shift, symbolized by the enduring image of the Sandino hat, and anticipates a complex interplay of international relations with potential implications for the United States.

The Eleventh Stalinist Offensive

2014-05-08 - Aleksandr Prokhanov

The text presents a highly nationalistic and revisionist account of Soviet and Russian history, particularly focusing on World War II and its aftermath. It frames the Soviet victory over Nazi Germany as a sacred and divinely ordained event, emphasizing immense sacrifice and resilience. The narrative repeatedly uses symbolic and often grotesque imagery – such as “ten Stalin’s blows,” “a twelve-headed serpent,” and “black sperm of fascism” – to portray the ongoing struggle against a persistent, insidious enemy.

The text then shifts to a contemporary, highly contentious interpretation of events in Ukraine, accusing Western leaders (Obama and Merkel) of complicity in the ongoing conflict. It alleges that fascism has “overrun” Ukraine, citing specific instances of alleged violence and atrocities attributed to Ukrainian forces and their supporters. The text concludes with a call for renewed military action, invoking historical parallels and a demand for a military parade in Moscow, ultimately framing the conflict as an inevitable and ongoing struggle against a persistent “fascist” threat.

Artist vs. System

2014-05-08 - Anastasiya Belokurova

The film “Parajanov” (Ukraine, France, Georgia, Armenia, 2013), directed by Serzh Avedikyan and Elena Fetisova, is a biopic about the life of Sergei Parajanov, a renowned and eccentric filmmaker considered “his own” by the countries involved in its creation. The film, submitted by Ukraine for an Oscar, finally reached Russian screens. Parajanov’s life was marked by conflict with the Soviet system due to his artistic freedom and unconventional behavior. He clashed with fellow filmmaker Yuri Ilyenkov, leading to a confrontation on a bridge. His film “Shadows of Forgotten Ancestors” was initially met with controversy, particularly regarding accusations of Ukrainian nationalism and a strained relationship with the Communist Party. Parajanov’s outspokenness and refusal to dub the film into Russian led to surveillance and the gathering of compromising material against him. He was arrested and imprisoned for five years, ultimately impacting his creative output and legacy. The film itself is criticized for lacking the charisma of Parajanov and failing to fully capture the depth and complexity of his life and artistic vision, particularly due to a lack of contextual understanding and a simplified portrayal of his struggles.

Black May, or Tanks - to the West!

2014-05-15 - Aleksandr Dugin

This text presents a harrowing account of events in Odessa and the broader conflict in Eastern Ukraine, framing it as a “Russian Holocaust.” It details the violence perpetrated by Ukrainian “Right Sector” militants against pro-federation supporters, describing a brutal massacre involving the burning alive of civilians, including women and children. The text emphasizes the cynical and dehumanizing nature of the attack, portraying it as a deliberate act of genocide fueled by anti-Russian sentiment and facilitated by Western support for the Ukrainian “coup.”

The author argues that Western media and political figures are deliberately downplaying the severity of the events, shifting blame onto the victims and falsely portraying the conflict as a democratic uprising. They highlight the role of figures like Igor Kolomoisky in funding and supporting the violence.

The piece expresses a sense of urgency, asserting that the situation demands a decisive response, framing it as a battle for Russia’s identity and future. It calls for a rejection of Western influence and a commitment to defending Russian interests, viewing the events as a deliberate attempt to destabilize Russia and ultimately, a “trap” set by the West. The author concludes with a stark warning about the dangers of complacency and the need to confront the perceived threat head-on.

Two days in May

2014-05-15 - Redaktsiya Zavtra

This text details a series of events surrounding the 9 May celebrations in Ukraine, primarily focusing on the situations in Slavetsk, Slovyansk, Mariupol, Odessa, and Dobropolye. It describes attempts to manipulate the Victory Day celebrations to promote separatist agendas, particularly in the Donbas region.

Specifically, the text outlines how the Херson celebrations were used as a rehearsal for a referendum on independence, and how attempts were made to rewrite the meaning of Victory Day in Slavetsk and Slovyansk. It details the violent confrontations in Slovyansk, where a significant number of Ukrainian military personnel were engaged in a protracted battle with pro-Russian separatists. The text describes the chaotic and often violent events in Mariupol, including the tragic deaths of civilians during an “anti-terrorist operation” and the destruction of buildings. It also recounts the tumultuous events in Odessa, including the attempted arson of the House of Trade Unions and the subsequent death toll. Finally, it describes the unusual and somewhat surreal referendum in Dobropolye, where two opposing groups held separate, albeit contrasting, referendums. Throughout the text, there’s a recurring theme of attempts to suppress the true meaning of Victory Day and the resistance of Ukrainian citizens, particularly in the face of aggressive actions by Ukrainian forces and pro-Russian elements.

Display board

2014-05-22 - Sluzhba bezopasnosti Denʹ

This text paints a picture of escalating global tensions and a deteriorating situation for Russia and the US economy. The US is engaging in covert operations – including expanding dollar issuance through schemes disguised as fines – to maintain economic stability amidst sanctions and a growing “cold war” with Russia, particularly fueled by the conflict in Ukraine. Simultaneously, Russia is seeking support from China and adapting its economy.

Internal instability is also present, with the Crimean Tatars seeking autonomy and concerns raised about the impact of rising interest rates on the Russian economy.

The text suggests a coordinated effort by Western “influence networks” to discredit Russia, highlighted by the staged events surrounding the “Proton-M” rocket failure and the “Donbass” operation.

Finally, the US is demonstrating a strategic shift towards a more balanced approach with Russia, and Western corporations are willing to finance the Ukrainian government, likely for corrupt purposes.

Apostrophe

2014-05-22 - Roman Raskolʹnikov

This text is a review of Ludwig Ferdinand Klauss’s “Race and Soul,” arguing that the book presents a uniquely objective, race-based psychology, free from racial prejudice. Klauss distinguishes between race as a “style” – a manner of expression and experience – and inherent qualities. The reviewer highlights Klauss’s caution against ranking races and interpreting racial differences as inherent values. He emphasizes that Klauss’s work, particularly regarding the “Nordic” race, challenges simplistic notions of superiority and suggests that the potential crisis within Christianity could be resolved by embracing Klauss’s ideas. Ultimately, the reviewer positions Klauss’s work as a profound statement – “Le style c’est l’homme” – and a crucial contribution to understanding the relationship between race, soul, and human experience.

Novorussia in огне

2014-05-22 - Aleksey Belozerskiy

This text presents a highly biased and propagandistic account of the conflict in the Donbas region of Ukraine, focusing on the actions of Ukrainian forces (referred to as the “fascist Kyiv punitive force”) and portraying them as brutal, indiscriminate, and engaging in systematic human rights abuses. The narrative consistently frames the conflict as a civil war instigated by Ukrainian forces and supported by Western powers.

Key claims include:

Systematic Targeting of Journalists: The text alleges a deliberate campaign of violence against journalists, citing numerous instances of attacks on reporters, including the shooting of RT journalist, the shelling of RT Ruptly’s crew, and the assassination attempt on Graham Philips.
Brutal Actions of Ukrainian Forces: The text describes Ukrainian forces as engaging in indiscriminate shelling of civilian areas, burning buildings, and using chemical weapons. It highlights casualties among civilians and military personnel.
Western Support and Manipulation: The text accuses Western powers of actively supporting the Ukrainian conflict through financial and military aid, and of manipulating the situation for their own geopolitical goals.
Donbas Resistance: The narrative emphasizes the bravery and resilience of the “Donbas resistance,” portraying them as a small, determined force fighting against a much larger and more powerful enemy.
Disinformation and Propaganda: The text repeatedly accuses Ukrainian forces of spreading disinformation and propaganda.

It’s crucial to recognize that this account is presented from a specific, pro-separatist perspective and lacks objectivity. It relies heavily on unsubstantiated claims and exaggerations.

Return of the concer

2014-05-22 - Marina Aleksinskaya

The text details the premiere of Pyotr Ilyich Tchaikovsky’s First Piano Concerto in F-sharp minor, a pivotal work in Russian music history. The premiere, orchestrated by Vladimir Fedoseev, took place on May 7, 2014, in Klin, Russia, marking a significant restoration of the concerto’s original sound. The story centers around the complex relationship between Tchaikovsky and his friend, Nikolai Rubinstein, regarding the concerto’s creation and initial reception. Rubinstein initially found the concerto difficult and demanded significant revisions, leading to a strained friendship. Despite this, Tchaikovsky dedicated the work to Hans von Bülow, and the concerto gained popularity, particularly after its performance by 19-year-old Sergei Taneyev in 1875. The text highlights the concerto’s evolution, its initial challenges, and its eventual triumph, fueled by performances and interpretations, notably by Fedoseev. It emphasizes the concerto’s unique blend of joyful and melancholic elements, its “optimistic” opening, and its enduring legacy as a cornerstone of Russian musical culture, with Fedoseev’s 2014 performance considered a historic event.

Play in a box

2014-05-29 - Lyudmila Lavrova

The text analyzes recent Russian television programs, primarily focusing on discussions surrounding the Ukrainian elections and the political landscape in both Russia and Ukraine. It critiques the Ukrainian elections as illegitimate and morally reprehensible, citing the ongoing conflict, media manipulation, and the involvement of figures like Kolomoyskyi and Svoboda. The author expresses concern about the lack of accountability for war crimes and the exploitation of the population.

The discussion highlights a perceived strategic ambiguity from the Russian government, particularly regarding acknowledging responsibility for casualties in the Donbas region. The text emphasizes a growing divide within Ukraine along lines of kinship and lineage, suggesting a fractured society.

Furthermore, it references the television film “Beasts” based on Dostoevsky’s novel, noting its relevance to current events and the importance of revisiting the book’s themes. The overall tone is one of skepticism and concern about the direction of both Russia and Ukraine, questioning the legitimacy of political processes and the consequences of ongoing conflict.

Spiritually poor

2014-05-29 - Vladimir Bushin

This text is a highly critical and sarcastic letter addressed to Prince Charles, questioning his judgment and historical perspective. The author, a self-described “communist” critic of Vladimir Putin, uses a lengthy and convoluted argument to challenge Charles’s views on Russia, Crimea, and historical figures like Hitler, Churchill, and Stalin.

The core of the letter is a relentless barrage of historical comparisons, often exaggerating the negative aspects of British history – including colonialism, violence, and exploitation – to discredit Charles’s opinions. The author repeatedly asserts Charles’s naivete and suggests he is out of touch with reality.

Specifically, the letter attacks Charles’s assertion that Putin is similar to Hitler, using a long list of historical examples to demonstrate that Britain has a far more problematic past. It then pivots to a critique of Charles’s views on Crimea, arguing that Russia legitimately acquired the territory and accusing Nikita Khrushchev of unfairly seizing it from Ukraine.

Ultimately, the letter concludes with a suggestion for Charles to apologize to Putin and offer him a military decoration as a gesture of goodwill.

Fake figure

2014-05-29 - Aleksey Gordeyev

This text expresses deep skepticism and concern regarding the potential recognition of Petro Poroshenko as the legitimate Ukrainian president following the May 25th elections. The author argues that the election results were heavily influenced by Western backing and a manufactured narrative of Ukrainian national identity, fueled by extreme nationalist ideologies.

The core argument is that Poroshenko’s victory is a dangerous miscalculation for Russia, stemming from a deeply flawed Ukrainian society shaped by decades of Soviet influence and now dominated by neo-fascist and anti-Russian sentiment. The author believes that recognizing Poroshenko would be a catastrophic error, leading to further instability, escalating conflict, and ultimately, a strengthened NATO presence and a continued threat to Russia’s security.

The text contends that the situation is not one of a legitimate Ukrainian government needing recognition, but rather a Western-engineered scenario designed to perpetuate a conflict. It emphasizes the need for Russia to directly support the Donbas region to establish a “security zone” and prevent the expansion of Ukrainian influence. The author views the potential recognition of Poroshenko as a trap, predicting a cascade of negative consequences for Russia, including legal challenges, increased instability within Ukraine, and a further intensification of the conflict.

It’s done!

2014-06-05 - Olʹga Kovalik

This text is a deeply personal and emotionally charged account of a pivotal period in Sevastopol’s history – its reunification with Russia in 2014. It recounts a series of extraordinary events centered around the May 8th and 9th celebrations, framing them as a culmination of centuries-long spiritual and historical connections. The author, a fervent believer, describes experiencing profound spiritual encounters, particularly within the Pskov-Pechersk Monastery, where she claims to have received a prophetic message from St. Veniamin, urging Sevastopol to “return home.”

The narrative focuses on a series of seemingly miraculous events, including a chance meeting with President Vladimir Putin during a parade, where Putin also delivered a prophetic message, and a subsequent exchange of ideas regarding a “Cultural Heritage of Sevastopol” program. The author emphasizes the city’s deep-rooted connection to Russian Orthodox faith and history, citing figures like Prince Potemkin, St. Vladimir, and St. Veniamin as key to Sevastopol’s identity.

The text expresses a strong belief in Sevastopol’s destiny as a vital part of Russia, highlighting its historical significance as the “cupel” of Russian Orthodoxy and advocating for its recognition and celebration. It culminates with a plea for the city to be formally designated as a “table city” for the upcoming 1000th anniversary of St. Vladimir’s death, solidifying its place as a cornerstone of Russian history and faith. The entire account is imbued with a sense of profound spiritual significance and a passionate defense of Sevastopol’s identity and its rightful place within Russia.

You, Kolyma…

2014-06-05 - Andrey Smirnov

This text details Alexander Sidorov’s extensive research into Russian criminal jargon and the associated “blatnyye” (criminal) song tradition. Sidorov argues that his work focuses on the inherent conflict between “high” and “low” culture, highlighting that talent exists regardless of social standing. He emphasizes the importance of understanding this cultural dynamic, particularly regarding the influence of the criminal underworld on Russian language and folklore.

Sidorov’s research is driven by a fascination with the unique and often overlooked aspects of this culture, particularly the rich, expressive language and traditions developed within criminal communities. He notes a decline in authentic criminal culture due to the influence of modern mass media and a shift towards a more superficial understanding of the subject.

His work is characterized by a meticulous approach, drawing on a wide range of sources, including personal interviews, historical documents, and traditional folk songs. He stresses the importance of approaching this subject with a critical and nuanced perspective, recognizing the complexities and contradictions inherent in this unique cultural phenomenon. Ultimately, Sidorov sees his research as a way to preserve and understand a vital, albeit often misunderstood, part of Russian history and culture.

Golden Girls of Eurasia

2014-06-05 - Aleksandr Prokhanov

The text describes a cyclical pattern of destruction and reunification for the Eurasian continent, driven by tectonic forces and a mysterious “magnetism.” Eurasia repeatedly breaks apart into fragments, then reforms into a unified whole, characterized by the incorporation of diverse cultures, religions, and peoples. This process is linked to a shared, deep-seated consciousness rejecting domination and embracing justice. The formation of the Eurasian Union, involving countries like Russia, Belarus, Kazakhstan, Armenia, and Kyrgyzstan, represents an attempt to harness this cyclical pattern for economic and political stability. The text envisions a future Eurasian Union as a complex, networked state, driven by a shared ideology of justice and featuring elements of technological advancement and a renewed sense of cultural identity, including a pavilion labeled “Novorossiya.”

Display board

2014-06-05 - Sluzhba bezopasnosti Denʹ

This text outlines a complex web of geopolitical maneuvering and strategic shifts, primarily driven by Western powers. It suggests a concerted effort to bolster Ukraine’s anti-Russian stance through financial and political support, potentially leading to escalated tensions. The text details a “peace agreement” between Russia and major financial institutions (Visa, Mastercard, and the Rothschild-linked banking structures), alongside a planned “offshore zone” transformation of Abkhazia with Georgian and Armenian involvement. It also highlights Western pressure leading to the abdication of the Spanish King and the continued support for Bashar al-Assad in Syria, alongside a shift in US military strategy regarding Afghanistan, including a prisoner exchange involving Taliban leaders and US troops. Finally, it details the role of Qatar as a guarantor in the exchange and the continued presence of US troops in Afghanistan.

For the Fatherland! For Novorossiya!

2014-06-12 - Aleksandr Prokhanov

The conflict in Eastern Ukraine, particularly in cities like Donetsk, Luhansk, and Славяnsk, is portrayed as a deliberate destruction of beautiful, historic cities, comparable to Picasso’s “Guernica.” Ukrainian forces are depicted as “murderers” systematically dismantling these cities, while Russian “volunteers” – including diverse international brigades – are fighting to establish Novorossiya and defend Russian identity against a perceived “NATO monster” and corrupt oligarchs. The narrative emphasizes the emotional connection between the conflict and all Russians, suggesting that the suffering in the East is felt throughout Russia. Support for the fighters is framed as crucial, with requests for advanced weaponry to effectively combat the enemy.

Fiery word

2014-06-12 - Ivan Okhlobystin

The text expresses strong support for the defenders of Novorossiya, framing the conflict as a battle against “Darkness” (the Devil and his followers). It condemns those who compromise with the opposing side and emphasizes the need to fight relentlessly for Christian values and Russian identity. The author, Alexander Prokhanov, describes the defenders as heroic figures protected by the author’s “fiery word,” which brings solace and salvation to those dying in battle, ultimately earning them a place in Heaven.

Current and multifaceted

2014-06-12 - Redaktsiya Zavtra

Boris Nemensky, a prominent 91-year-old Russian realist painter, discusses his recent project at the Academy of Arts and the current state of realism in Russian art. He emphasizes the importance of the Institute of Russian Realist Art, supported primarily by Alexey Ananyev, and criticizes the lack of support for realism compared to other contemporary art forms. Nemensky believes realism remains relevant and vital, focusing on positive and passionate artistic movements. He contrasts it with what he perceives as a trend towards “synthetics” in contemporary Russian art, particularly citing the work of Oleg Kulik. He asserts that realism’s core ideology is a forward-moving pursuit of good and light, and that its continued existence is crucial for fostering dialogue and confronting societal issues.

Apostrophe

2014-06-19 - Yelizaveta Pashkova

This review discusses the new book “Monarchists from Apartment 27” by Roman Romanov, a young author who also works as a high-ranking official in the Pсковской области administration. The reviewer notes a common concern in historical fiction – authors inserting fabricated dialogue from historical figures. However, Romanov’s book differs because its two protagonists, young men obsessed with altering Russian history, attempt to travel through time and space. The story centers on their interactions with figures like Nicholas II and Stalin, portrayed with respect and nuance. A key character, Maria, a cynical journalist, provides a contemporary perspective, questioning the value of meaning and purpose in a seemingly hopeless world. The reviewer highlights Romanov’s understanding of historical subjectivity and his skillful portrayal of complex figures, particularly Stalin, and emphasizes the book’s exploration of timeless questions about faith, power, and the role of the individual in shaping history.

Forward — to Kyiv! Forward — to Victory!

2014-06-19 - Aleksandr Nagornyy

The text argues for a decisive, forceful response to the Ukrainian “neo-fascist junta” led by Poroshenko, framing the conflict as a “cold and hot war” instigated by Washington. It criticizes the current Russian leadership’s hesitant approach, advocating for a “Stalinist” strategy: a rapid, overwhelming military operation including a landing force in Kyiv, targeted strikes against junta positions, and a direct appeal to Ukrainian populations to join an “anti-fascist coalition.” The author believes the current strategy of supporting loosely organized volunteer groups is insufficient and risks prolonged conflict and further suffering. A key element is the call for a clear, uncompromising ideological stance against “neo-fascism” and a willingness to utilize all necessary means – including potentially nuclear deterrence – to achieve a complete victory and protect Russia’s strategic interests. The text emphasizes the need for a coordinated, centralized military operation and a robust propaganda campaign to sway Ukrainian public opinion.

Sweet berry — raspberry

2014-06-26 - Vladimir Bondarenko

The text is a review of Vladimir Karpov’s novel “Malkina,” describing it as a complex, multi-layered story centered around the character Malkina and her search for meaning and love. The reviewer highlights Karpov’s explicit and often provocative exploration of sexuality and relationships, contrasting it with a core theme of family values and the importance of children.

Karpov’s style is characterized by a rich, dense prose, incorporating elements of eroticism, philosophical debate, and historical context. The novel features a diverse cast of characters, including a blind woman who offers a profound insight to the protagonist, and a choir director who embodies societal hypocrisy.

Despite the novel’s explicit content, the reviewer argues that it ultimately champions the sanctity of family and the transformative power of motherhood. The reviewer questions whether the novel’s intense focus on lust ultimately outweighs this central message, but concludes that Karpov’s work ultimately affirms the enduring value of family and the potential for redemption through the creation of new life. The reviewer also notes that Karpov’s writing is full of memorable phrases and ideas, suggesting a lasting impact.

Sergei Chernyakhovsky: The Battle Field – Culture

2014-06-26 - Yuliya Novitskaya

This text outlines a proposed alternative approach to cultural policy within Russia, articulated by Sergey Chernyakhovsky. It argues that the current approach, as represented by the presidential document, prioritizes broad acceptance, potentially alienating the vast majority of Russians who value their nation’s sovereignty and historical trajectory.

Chernyakhovsky’s framework centers on recognizing Russia’s historical ascendancy, particularly during the 20th century, as the period of its greatest strength. He posits that Russia currently defends not just its national identity but also remnants of European culture, a role it uniquely fulfills.

Key differences from the presidential document include a more direct focus on representing the views of the majority of the population (approximately 90%) who support Russian sovereignty, rather than attempting to appease a minority. The proposed approach emphasizes a more robust defense of Russia’s cultural and political independence. It also explicitly identifies threats to cultural sovereignty, including consumerism, mass culture, and external informational aggression. Ultimately, the text presents a vision for a cultural policy rooted in historical strength and the will of the Russian people.

Russian watershed

2014-06-26 - Aleksandr Bobrov

This text is a highly critical and complex historical analysis, primarily focusing on the events surrounding the 2014 conflict in Slaviansk, Ukraine, and framing it through a lens of historical parallels and accusations. It argues that the conflict was a continuation of long-standing tensions and manipulations, dating back to the 16th century. The author uses a cyclical narrative, connecting events from the 1560s (with Andrey Kurbsky) through the 20th century (including the Brusilov Offensive and the 2014 conflict) to suggest a repeating pattern of interference and division.

The core argument is that the Slaviansk conflict was not simply a spontaneous uprising but a deliberately engineered event, fueled by various actors – including figures like Andrey Kurbsky, Tsar Ivan the Terrible, and ultimately, Western powers – seeking to destabilize Russia and Ukraine. The author accuses various groups – including Ukrainian nationalists, the US (through the CIA and USAID), and European Union entities – of orchestrating the conflict for geopolitical gain.

The text heavily relies on conspiracy theories, portraying the conflict as a deliberate attempt to create a “chimera” state – a dysfunctional, unstable entity composed of conflicting ethnic and political forces. It uses the concept of the “chimera” (borrowed from ethnology) to describe the situation in Ukraine, arguing that it’s a product of artificial creation and manipulation. The author emphasizes the role of historical figures and events in shaping the present, suggesting that the conflict in Slaviansk is a continuation of a long-standing struggle for power and influence. The text is filled with accusations of manipulation, deceit, and the deliberate exploitation of Ukrainian society for geopolitical advantage.

Prisoners of foreign lands

2014-07-03 - Aleksey Kasmynin

Vladimir Drinkman, along with Dmitry Smilyanets, were arrested in the Netherlands after Interpol’s investigation into a massive cybercrime scheme. The case hinges on accusations that Drinkman and Smilyanets, along with four others, stole data from over six million credit card accounts through hacking, orchestrated by a cybercriminal Albert Gonzalez while in the United States. Drinkman has been detained in the Netherlands for two years, facing intense pressure and lacking concrete evidence. The investigation relies heavily on Gonzalez’s testimony and has resulted in Drinkman being subjected to coercive tactics and a lack of due process. The situation is complicated by conflicting interests between the Netherlands, the United States, and Russia, with Drinkman seeking to avoid extradition to the US and the possibility of a reduced sentence in exchange for cooperation, while the Netherlands aims to satisfy both parties and ultimately extradite him. The case highlights concerns about potential abuses of power and the risk of arbitrary detention based on accusations without sufficient evidence.

It’s done!

2014-07-03 - Marina Aleksinskaya

The article centers on the escalating controversy surrounding the “Perm-36” museum, a memorial to political prisoners located in Perm, Russia. Initially established in the 1990s to commemorate victims of the Gulag system, the museum has recently gained significant attention and support from the Presidential Administration, particularly following events in Ukraine. The support is viewed with suspicion by many, who accuse it of being a tool for propaganda and distorting Russian history.

The museum’s focus on figures associated with Ukrainian nationalism and perceived “enemies of the state” has fueled accusations of promoting a biased narrative. Despite initial skepticism, the museum’s prominence has risen due to public outcry following events in Ukraine, with some viewing the museum’s support as a necessary response to perceived threats to Russian culture and historical memory.

Historians and commentators express concern about the potential for the museum to be used as a vehicle for manipulating historical narratives and aligning with Western perspectives. The situation is framed as a struggle to protect Russian cultural heritage and historical memory, with the museum’s fate becoming a symbolic battleground.

About knights and liars

2014-07-17 - Vladislav Shurygin

This text is a scathing critique of Julia Latynina, a Russian commentator, delivered through a recounting of her recent statements and arguments. The author details Latynina’s bizarre and inconsistent claims, particularly her attempts to apply a romanticized, “knightly” code of conduct to military history and her justifications for Russian actions in Ukraine. She highlights Latynina’s selective use of historical examples, her tendency to demonize the opposing side, and her attempts to portray herself as a voice of reason and moral superiority. The author repeatedly points out the inconsistencies in Latynina’s arguments, contrasting her claims with the actual behavior of both Russian and Ukrainian forces, and ultimately dismissing her as a manipulative figure who distorts facts to fit her ideological agenda. The core of the text is a rejection of Latynina’s perspective and a condemnation of her biased and illogical reasoning.

Girl-scandal

2014-07-17 - Anastasiya Belokurova

The film “Да и Да” follows a young teacher, Sasha, who becomes entangled with a troubled, alcoholic artist named Antonin. Sasha, influenced by her nihilistic worldview, enters a volatile relationship with Antonin, marked by heavy drinking, erratic behavior, and a shared pursuit of artistic expression—often fueled by drugs and chaos. Their relationship is depicted as destructive and surreal, with Sasha repeatedly enabling Antonin’s self-destructive tendencies while attempting to find meaning in their shared experiences. The film is characterized by its provocative and deliberately shocking content, aiming to provoke a reaction and embrace a deliberately chaotic aesthetic, reminiscent of 80s cinema. Ultimately, the film is presented as a deliberately provocative and somewhat absurd exploration of artistic obsession, addiction, and the search for meaning within a bleak and unsettling world, with the director seemingly prioritizing shock value and a consistent, provocative tone over narrative coherence.

Battle for History

2014-07-31 - Vladimir Karpets

The text explores interpretations of Russian identity and history through the lens of Martin Heidegger’s concept of “Dasein,” as articulated by Alexander Dugin. Dugin argues for a “Russian Dasein” rooted in Slavic traditions, particularly agriculture and the “third rank” of society. He posits a dualistic Russian identity – “white” (representing European, aristocratic values) and “red” (representing a peasant, socialist-influenced identity). This duality has manifested throughout Russian history, from the conflict between the “Volga” (the prince) and “Mikula” (the peasant) to the divisions between “white” and “red” during the Civil War and subsequent periods. The text suggests that various figures and movements throughout Russian history have embodied these “white” and “red” aspects, and that these divisions continue to shape contemporary Russian politics, exemplified by figures like “White Chubais” and “White Khodorkovsky,” and the current situation in Novorussia with figures like Pavel Gubarev and Igor Strelkov. The core argument is that understanding these historical and ideological divisions is crucial to comprehending Russia’s complex identity and its ongoing political struggles.

Megamashina

2014-07-31 - Oleg Shchukin

The text discusses the International Arbitration Court’s ruling awarding $50 billion to former Yukos shareholders, framing it as a surprising outcome influenced by geopolitical maneuvering rather than a straightforward legal victory. The author suggests the ruling is part of a larger “game” involving Western powers, particularly the UK, manipulating Russia’s position within a global crisis.

The core argument is that the ruling isn’t simply about justice for Yukos, but rather a strategic move by London to exert influence over Moscow, echoing historical patterns of British-Russian relations – including interventions during wartime and leveraging economic relationships. The author posits that figures like Khodorkovsky and Nевzlin are part of a calculated strategy, and that the ruling represents a test of new financial channels for Russia.

Ultimately, the text views the situation as a complex geopolitical chess match, suggesting that Russia’s response to the ruling will be shaped by this broader strategic context, and that the situation could lead to further attempts to exploit Russian financial vulnerabilities.

Dark eye

2014-07-31 - Yekaterina Glushik

The novel “Time of Gold” by Alexander Prokhanov is a unique work that attempts to capture the essence of power, particularly in Russia. It portrays power not as a tangible force, but as a “chemical grid” – a complex, interconnected system that shapes individuals and events. The narrative centers around the concept of power as a force that can be “inhabited” by people, transforming them and influencing their actions.

Prokhanov masterfully depicts power as a cyclical phenomenon, mirroring historical patterns and the rise and fall of empires. He utilizes a philosophical approach, exploring themes of faith, leadership, and the role of the individual within a larger historical context. The novel’s strength lies in its ability to present complex ideas through vivid characters and dramatic events.

A key element of the novel is the idea of “power as a miracle,” suggesting that Russia’s destiny is intertwined with moments of extraordinary events and leadership. Prokhanov’s writing style is dense and layered, incorporating philosophical musings and historical references. The novel’s characters are often archetypal, representing different facets of power and influence.

Ultimately, “Time of Gold” is a provocative and ambitious work that challenges readers to consider the nature of power and its impact on society. It’s a story about the creation of power, its manipulation, and its ultimate consequences.

“The Peking Opera” and the Chinese spaceship.

2014-08-21 - Aleksandr Prokhanov

This text is a transcript of a meeting between Alexander Prokhanov and Li Hueil, focusing on the strengthening relationship between Russia and China. The conversation centers around shared historical perspectives, particularly regarding the fight against fascism, and the evolving nature of their bilateral relations.

Key points discussed include: a mutual appreciation for the “Chinese Dream” and its alignment with a global aspiration for justice; a recognition of the strategic importance of the “Silk Road Economic Belt” initiative; a shared concern about the rise of militarism and the need to uphold the post-World War II international order; and a commitment to deepening cooperation across various sectors, including trade, energy, technology, and cultural exchange.

The meeting highlighted a desire for continued dialogue and collaboration between the Izborsk Club and Chinese intellectuals, emphasizing the potential for a shared worldview. Both sides expressed confidence in the trajectory of their relationship, viewing it as a crucial element in maintaining stability and promoting progress within the international community. The conversation concluded with a reaffirmation of mutual respect and a shared commitment to working together to address global challenges.

Musi

2014-08-21 - Andrey Smirnov

“45-я база” is a project centered around a military area in Serпухове, Подмосковье, exploring a strange and enigmatic space with echoes of both ancient Russia and a post-industrial “хтонь” (a neologism for an autochthonous element). The group, comprised of Юрий Malinovsky and Dmitry Flamin, is associated with the Left Front and exhibits a politically radical, though understated, approach. Their music, exemplified by the album “Настежь,” blends darkwave elements with influences from post-industrial, electro-punk, and even Russian gothic and Siberian punk. The project delves into themes of Russian melancholy, folklore, and spiritual concepts, often referencing figures like Rudolf Mond and employing a deliberately unsettling aesthetic. It’s characterized by a chaotic, raw energy and a rejection of conventional, polished cultural trends, presenting itself as a reflection of a primal, enduring Russia.

Play in a box

2014-08-21 - Lyudmila Lavrova

This text is a highly opinionated and nationalistic commentary on the Russian news channel “Rossiya 24.” It critiques Western perceptions of Russia, particularly focusing on accusations of aggression and the “negative consolidation” supposedly seen in Russian society. The piece argues that Western media and analysts misinterpret Russian patriotism and resilience, framing it as a response to a perceived lack of national pride. It highlights the channel’s efforts to promote a narrative of strength and unity, referencing historical achievements like the space program and the Gagarin launch. The text uses a sarcastic and dismissive tone towards Western analysts and journalists, portraying them as deliberately misrepresenting Russia’s situation and fueling conflict in the Donbas region. It emphasizes the channel’s role in “explaining” things to the public and defends its journalistic practices despite accusations of propaganda and manipulation. The piece concludes by highlighting examples of fabricated “leaks” and distorted reporting, further reinforcing the argument that Western narratives are deliberately misleading.

Be Novorossiya!

2014-08-21 - Gennadiy Zhivotov

The artwork of Gennady Zivotov, a Honored Artist of Russia, is being presented.

Apostrophe

2014-09-04 - Daniil Toropov

Jared Taylor’s “White Consciousness” examines the decline of American multiculturalism and the rise of distinct ethnic interests within the United States. The book, translated from English and introduced by Vladimir Avdeev, argues that traditional notions of racial integration have failed, replaced by voluntary segregation driven by the self-interests of various ethnic groups – including Latinos, Native Americans, and Muslims. Taylor uses numerous examples, such as the Fontana High School riot and the Houston football team’s name change, to illustrate these competing interests. He contends that a “white consciousness” is emerging as a response to this shift, and that the book is relevant for understanding the challenges facing Western civilization. Notably, the text includes a recounting of a conversation between Leonid Brezhnev and Margaret Thatcher, where Brezhnev questioned the survival of the white race, highlighting a perspective that Taylor believes is gaining traction. The book is presented as a critical analysis for those questioning the liberal, cosmopolitan vision of the “new world.”

Return from Minsk

2014-09-04 - Aleksey Gordeyev

This text analyzes the August 26th talks in Minsk between the “Troika” (Putin, Nazarbayev, Lukashenko) and the “European Troika” (Ashot, Ettinger, Guhk) with Ukraine’s Petro Poroshenko, following a reported eight-plus-hour session. The key takeaway is that the meeting failed to achieve any genuine agreement or mutual understanding, evidenced by the lack of a joint press conference and differing interpretations of the event’s purpose.

The article highlights discrepancies in how the meeting was framed – ITAR-TASS described it as a meeting of the Customs Union with Ukraine and the EU, while the Russian Presidential website presented a slightly different version. It emphasizes that Poroshenko’s actions, particularly his unexpected closeness to Ashton and his willingness to cede the presidency to Putin for two-hour talks, reveal his relative independence.

The text argues that the discussions centered primarily on economic issues related to Ukraine’s trade agreements with Russia and the transit of Russian energy through Ukraine, with the conflict in the East of Ukraine being treated as an internal Ukrainian matter. Poroshenko’s priorities, focused on “peace” and humanitarian concerns, are contrasted with this approach.

Furthermore, the article details subsequent events, including unproductive talks between Eurocommissioner Ettinger and Russian energy ministers Nova and Mille, confirming Ukraine’s outstanding gas debt and the lack of a clear payment schedule. It also notes the ongoing humanitarian efforts and the gradual recognition of the DNR and LNR as sovereign entities.

Finally, the text raises concerns about the potential for a destabilizing scenario – the possibility of a US-backed coup in Russia – and references a Foreign Affairs article predicting that the Ukraine crisis will ultimately strengthen the ties between Russia and China. It concludes with a cynical observation about Putin’s strategic approach, drawing parallels to martial arts philosophy.

Play in a box

2014-09-04 - Lyudmila Lavrova

This text is a scathing critique of Russian media and political commentary, particularly focusing on the manipulation of public opinion surrounding the conflict in Ukraine and the ongoing attacks on the Russian government. It argues that media outlets, including “Dozhd” (Rain TV) and channels like NTV, are engaging in deliberate disinformation and propaganda, employing tactics reminiscent of the “Belolentochka” (white bat) revolution and the 2011-2012 “Bolotny” protests. The author highlights the use of fear-mongering, fabricated threats against the president, and the exploitation of the suffering of Russian volunteers in the Donbas region. The text criticizes the reliance on anonymous sources and the distortion of facts to create a negative image of the Kremlin. It also notes the return of popular discussion programs and the launch of new television projects, suggesting a continuation of the manipulative trends. The overall tone is one of alarm, warning against the potential for Russia to repeat the mistakes of the post-Soviet era.

Unforgettable war

2014-09-04 - Aleksey Kasmynin

The text discusses a new exhibition at the Historical Museum in Moscow, titled “The First World War: The Last Battle of the Russian Empire,” opening in February 2024. The exhibition aims to revive memory of the First World War, a conflict largely forgotten in both Russia and globally. It critiques a distorted understanding of the war, highlighting how it was often referred to as “The Forgotten War.”

The exhibition features a collection of artifacts, including restored stereoscopic photographs, religious icons (specifically the Augustovo Icon), military uniforms, weaponry, and decorative items crafted by private jewelers. It employs allegorical representations of the empires involved – Austria-Hungary as a monkey, the Ottoman Empire as a toad, and Germany as Kaiser Wilhelm riding a pig – to illustrate their perceived characteristics.

The text expresses concern that the exhibition’s presentation of the Russian Imperial era is often skewed by contemporary interpretations. It emphasizes the importance of viewing the war and its associated artifacts in their historical context, acknowledging the devastating impact of the conflict on Russia and the broader world. The exhibition is presented as an opportunity to gain a more accurate and nuanced understanding of this pivotal moment in history.

Counterblows and advance

2014-09-04 - Aleksey Belozerskiy

Over the past week, the situation has shifted with the Kyiv forces losing initiative to the militia, failing to recover from defeats through a third wave of mobilization, and demonstrating an inability to accurately assess the changing tactics. Ukrainian forces have experienced a decline in morale due to heavy losses and setbacks. The militia’s successful offensive in the southwest, fueled by strengthened command unity and tactics, exposed the Kyiv commanders’ underestimation of the Novorussian forces. Kyiv has withdrawn units from Donetsk and Luhansk to Mariupol, creating encircled groups that have disrupted command and control. Counterattacks will likely rely on newly formed, under-equipped National Guard units, and require a week for redeployment. The Donbass and Luhansk sides will continue their offensive towards Berdyansk and Melitopol, while Kyiv will attempt to repel the advance and prepare for a potential new offensive around mid-September, which could trigger anti-war sentiment and panic.

Warrior of Russian opera

2014-09-11 - Marina Aleksinskaya

This text details the complex and ultimately tragic life of Nikolai Golovanov, a pivotal figure in Russian opera and a highly respected conductor. It recounts his rise to prominence in the early 20th century, particularly his triumphant years directing operas at the Bolshoi Theatre, culminating in Stalin’s favor and a period of artistic flourishing. However, his career was repeatedly disrupted by political pressures and ideological shifts following the revolution. He faced constant criticism and accusations – initially stemming from antisemitism, then shifting to concerns about his resistance to the Soviet-style “modern” opera being promoted by the regime. Despite his undeniable talent and dedication, Golovanov was repeatedly dismissed from the Bolshoi Theatre and ultimately died of a heart attack shortly after being dismissed again in 1953. The text emphasizes his deep connection to Russian Orthodox tradition, his persistent musical output, and his enduring legacy as a symbol of artistic integrity and a victim of political persecution.

Collapse

2014-09-11 - Vladimir Bondarenko

This text is a lengthy, opinionated critique of contemporary Russian literature and the perceived rise of “new Soviet” themes and authors following the conflict in Ukraine. The author expresses a strong nationalistic viewpoint, arguing that a significant portion of modern Russian writers are embracing a nostalgic and patriotic vision of Russia, contrasting sharply with the critical and often anti-establishment voices of the past.

The core argument is that a liberal, anti-Russian sentiment has taken root within segments of the Russian literary scene, fueled by figures like Dmitry Bykov and Alexander Bykov, and that this trend is being actively promoted by institutions like the Russian PEN Club. The author expresses skepticism about the motivations of these writers and the influence of external forces, particularly the United States, in shaping their work.

The text repeatedly contrasts this “new Soviet” trend with figures like Yuri Luzhnikov and Andrey Bitov, whom the author views as representing a more authentic and critical Russian voice. It highlights the author’s frustration with the perceived abandonment of traditional Russian values and the rise of a nationalistic narrative. The author uses personal anecdotes and observations to illustrate his points, frequently criticizing the actions of the Russian PEN Club and its leadership, particularly Людmila Ulitskaya. The piece concludes with a reaffirmation of the author’s commitment to defending Russia and its culture, and a call for writers to stand up for their country.

Display board

2014-09-11 - Redaktsiya Zavtra

The text outlines a complex web of geopolitical tensions and perceived manipulations. It suggests a coordinated effort to destabilize Russia, fueled by external actors like the US and its allies, aiming to weaken Russia’s control over its regions and military assets, particularly the defense industry. This includes efforts to undermine the Minsk agreements, exacerbate social divisions within Russia (including ethnic minorities and separatist movements), and manipulate public opinion through disinformation campaigns, such as the Malaysian Airlines “Boeing 777” investigation and the Scottish independence referendum. The text posits that these actions are driven by a desire to maintain a narrative of Russian aggression and to influence political outcomes in Russia, utilizing tactics reminiscent of past events like 9/11 and the MH17 investigation.

Megamashina

2014-09-18 - Nikolay Konʹkov

The text outlines a complex and increasingly precarious situation surrounding Ukraine, Russia, and the European Union. A temporary, largely symbolic “euro-association” agreement has been brokered to address military deadlock, but its future ratification by EU member states remains highly uncertain. Simultaneously, the US is attempting to exert influence by demanding a role in European energy supplies, framing it as a necessary condition for the agreement’s success. This pressure, coupled with the US’s involvement in Ukraine’s conflict, is viewed by Russia as a dangerous gamble, potentially leading to a US “imperial trap” and mirroring historical failures. The situation hinges on the continued flow of Russian energy to Europe, and the US’s willingness to take on this responsibility, with the potential for significant geopolitical consequences regardless of the outcome.

March-assaul

2014-10-02 - Galina Ivankina

The text critiques the appropriation and distortion of seemingly positive concepts – freedom, democracy, tolerance, and even “peace” – by liberal and progressive movements. It argues that these terms have been fundamentally twisted to justify chaos, decadence, and a rejection of traditional values and national identity. The author uses the concept of a carnival – a deliberate inversion of norms – to illustrate how these ideas have been manipulated, with “freedom” becoming license, “democracy” synonymous with corruption and exploitation, and “tolerance” enabling immoral behavior. The author contends that this deliberate perversion of language and meaning represents a dangerous trend, advocating for a return to straightforward, honest expression, rather than convoluted, self-serving interpretations.

Pskov Miracle

2014-10-02 - Vladimir Bondarenko

Valentyn Kurbatov, a renowned and longtime Russian literary critic, recently celebrated his 75th birthday. He is remembered as a “pсковский кудесник” (Pskov miracle worker) – a healer and collector of Russian literature and culture. The text paints a vivid picture of Kurbatov’s life, highlighting his long-standing relationships with fellow writers like Astafev, Ruspin, and others, many of whom have passed away.

He is portrayed as a unique figure, deeply rooted in Russian tradition and culture, and known for his unwavering loyalty to Russia and its literature. He is characterized by his persistent, almost gentle, influence on other writers, often mediating disputes and offering insightful perspectives.

The narrative emphasizes Kurbatov’s continued active participation in literary events, such as the Yasnaya Polyana writer’s meetings, and his dedication to preserving and promoting Russian culture. He is depicted as a man who remains remarkably engaged with the literary world, despite his age, and who continues to offer a unique and often surprisingly insightful perspective on Russian literature and society. His life is presented as a testament to a deep love for Russia and a commitment to its cultural heritage.

Two days of glory

2014-10-09 - Aleksey Kasmynin

The “Indushata” (Chicklings) music festival, held in 2014, is a long-running event showcasing emerging independent music groups from across Russia. Initially established in 1990, it’s known for discovering and supporting young, often unconventional, bands. The festival’s name is a reference to the independent nature of the artists, derived from the English word “indie.” It operates by scouting bands from various cities, often prioritizing lesser-known groups, and providing a platform for them to perform. The festival’s history includes periods of relocation and expansion, eventually settling in Moscow. The 2014 edition featured a diverse range of genres, including IDM, garage rock, neo-80s electronic music, and styles reminiscent of bands like Radiohead, The Beatles, and The White Stripes. The event attracts a large number of industry professionals, including producers, promoters, and journalists, and is known for its eclectic lineup and occasionally surprising moments, such as a guitarist smashing their instrument on stage.

Lonely and stubbor

2014-10-16 - Vladimir Bondarenko

Юрий Поляков, born in 1954, is a prominent Russian writer best known for his works published during the Perestroika period. His early stories, “ChP Regional Scale” and “100 Days to Order,” gained immense popularity and are considered pivotal in shaping the early stages of Perestroika, reflecting and influencing the widespread changes of the time. These works were not merely descriptions of events but actively contributed to the movement’s momentum.

Poляков’s unique position stems from his ability to capture the spirit of the era, often with a blend of irony and a detached perspective. He experienced considerable isolation and criticism throughout his career, viewed as an outsider by both the “left” and “right” factions, and often labeled as a “villain” by the literary establishment. His work is characterized by a focus on the experiences of ordinary people navigating the turbulent changes, and his distinctive voice resonated with many readers.

Despite facing skepticism and opposition, Поляков remained a consistent and influential figure in Russian literature, continuing to publish and engage with contemporary issues. His legacy is secured by his significant contribution to a defining period in Russian history, and his enduring popularity among readers who appreciate his honest and insightful portrayal of the era.

Play in a box

2014-10-16 - Lyudmila Lavrova

The text discusses the evolving landscape of Russian television, particularly focusing on channels like Russia 24 and LIFE –NEWS, and the presenters associated with them (Solovyov, Baibayan, etc.). It argues that these channels are now addressing complex issues – the reshaping of geopolitical realities, the fall of the USSR, and the situation in Ukraine – with a greater human element than previously. The text highlights a growing number of commentators and guests from Ukraine, Latvia, Estonia, Finland, Italy, and other countries who appear on these programs, demonstrating a broadening of perspectives. Critiques are leveled at other television programs, particularly those dealing with “light” topics, describing them as lacking moral depth and exploiting shallow interests. A specific example is cited – a program featuring a musician and his ex-wives on Family Day, deemed exploitative. The overall impression is that while Russian television is grappling with significant historical and contemporary issues, other segments of the media remain focused on sensationalism and superficial entertainment.

Vertical

2014-10-23 - Olʹga Suslova

This text explores the overlooked contributions of architect Konstantin Melnikov and writer Vasily Shukshin. Melnikov, a young architect in the 1920s, designed a groundbreaking pavilion for the Paris International Exposition, influencing Le Corbusier. Despite his talent, he was later criticized and sidelined. Shukshin was deeply interested in Melnikov’s life and planned to film a documentary about him, utilizing the then-respected Kodak film. Both men shared a concern for Russia and its people, with Shukshin focusing on the often-unrecognized heroism of ordinary individuals. The text highlights how these “small people” persevered through difficult times, mirroring their representation in Shukshin’s stories, and expresses a hope that their legacy will be more widely appreciated in the future.

Battle for History

2014-10-23 - Vladimir Karpets

The text argues that Russia’s true revitalization hinges on overcoming deep internal divisions, specifically a fundamental rift between “Russian Christianity” and “Russian paganism.” These divisions, exacerbated by historical events like the XVII century’s church schism and fueled by conflicting interpretations of Russian history and religious identity, are presented as far more significant than commonly acknowledged.

The author identifies several key fault lines: the perceived imposition of Christianity as a tool of subjugation, the debate over the origins of Russian religious traditions, and the polarization between those seeking a return to a traditional Orthodox Tsar and those advocating for a revival of “Russian gods.”

Crucially, the text suggests that these divisions are not simply ideological disagreements but represent a fundamental clash in worldview, centered around the concept of sacrifice and the nature of the divine. It posits that understanding this underlying conflict – particularly regarding the origins of sacrifice and the relationship between religious traditions – is essential for Russia’s future. Ultimately, the author believes that a “Russian Victory” is necessary to unlock the true meaning of Russian history and identity, regardless of whether that victory is defined by Orthodox faith or a revival of pagan traditions.

Megamashina

2014-10-23 - Vladimir Vinnikov

This text presents a highly critical and conspiratorial analysis of the current geopolitical situation, primarily focusing on the perceived actions of the United States and its allies against Russia. It argues that the West’s efforts to “shock” or “harass” Russia – using tactics like economic pressure (lowering oil prices), political interference (supporting opposition groups and promoting social unrest), and military provocations (the Ukrainian conflict and sanctions) – have repeatedly failed. The author believes this is driven by a deliberate strategy to weaken Russia and exploit its economic dependence on oil and gas.

The text suggests that the US is attempting to destabilize the Russian economy by manipulating oil prices, aiming to trigger a financial crisis. It posits that this strategy is being facilitated by “rats” (Russian intelligence agents) within the Russian government, and that even within the Russian leadership, figures like Alfred Koch are willing to concede to Western demands in exchange for a “percentage of the deal.” The author predicts a significant collapse of the US dollar, fueled by the outflow of “hot dollars” from the global oil market, and ultimately views the entire situation as a self-destructive game for the West.

Megamashina

2014-10-30 - Vladimir Vinnikov

The death of Total’s “Big Ears” CEO, Christophe de Margerie, following a fatal plane crash at Moscow’s Vnukovo Airport, is being viewed as a key event in the emerging “new Cold War.” Despite claims of his potential opposition to Russia, de Margerie was not an enemy and intended to continue his company’s mutually beneficial activities within the country. He attended a Russia-Foreign Investment Council meeting and was the sole representative of foreign oil and gas companies willing to operate independently of current political tensions. The crash involved a snow removal vehicle, with questions arising about the presence of two vehicles, one without lights, allegedly due to a malfunction. This incident raises the question of whether it was a case of Russian negligence or a deliberately orchestrated operation. Key figures involved, including airport director Andrey Dyakov and his deputy, have reportedly resigned. De Margerie’s final remarks emphasized his commitment to continued investment in Russia, despite sanctions, and advocated for restoring economic stability between Russia and the West.

Apostrophe

2014-10-30 - Georgiy Sudovtsev

The book “Artel and the Artel Person” by A. Averianov, V. Venedikтов, and A. Kozlov examines the history of the “artel” (guild-like cooperative labor organization) in Russia, tracing its origins from the 16th century onwards. The authors argue that the word “artel” derives from Latin “ars,” reflecting its initial meaning as a “community of skilled artisans,” influenced by Italian (“fraggian”) expertise. Early Russian artels were likely construction-focused, later expanding to diverse sectors. The book highlights the artel’s unique transition from European guild structures to a capitalist enterprise, its enduring presence in Russian society, and its core principles: communal goals, mutual support, contracts, and active participation. The authors acknowledge the artel’s significance beyond economics, drawing parallels with other Russian social structures like “druzhinas” and “vatagi,” and suggest its study is crucial for understanding Russia’s historical development and addressing contemporary societal challenges.

Sevastopol Prophecies

2014-10-30 - Olʹga Kovalik

This text recounts a series of spiritual encounters and prophecies connected to the city of Sevastopol and its historical and religious significance. It details several visits to sacred sites – Pskov’s Sergiev Lavra, the Diveyevo Monastery, and the Holy Vladimir Cathedral in Sevastopol – each accompanied by a distinct spiritual experience and a related prophecy.

The core narrative revolves around the belief that these locations are imbued with divine power and that they played a crucial role in shaping the destiny of Russia, particularly in relation to the city’s return to the Russian Federation. Several figures, including St. Seraphim of Sarov, St. Alexander Diveyevo, and St. Vladimir, are presented as key figures in these prophecies, with their influence believed to be directly linked to the historical and contemporary events surrounding Sevastopol’s reunification with Russia. The text emphasizes the idea that these sites were chosen and blessed by divine intervention, specifically to ensure Russia’s celebration of its thousand-year anniversary of St. Vladimir’s death in Sevastopol. Ultimately, the text portrays Sevastopol as a “cupola” of purification for Russia, and a place where divine providence actively shapes the nation’s history and future.

Beyond the horizon of events

2014-11-13 - Anastasiya Belokurova

“Interstellar” (2014), directed by Christopher Nolan, follows a grieving farmer, Cooper (Matthew McConaughey), who joins a mission to travel through a wormhole near Saturn in search of a habitable planet for humanity, as Earth faces environmental disaster. The mission involves a NASA outpost, a complex scientific puzzle involving quantum mechanics and relativity, and a generational conflict between Cooper’s desire to save humanity and his daughter’s fear of the unknown. The film blends elements of Stanley Kubrick’s “2001: A Space Odyssey” and Soviet science fiction, utilizing a significant amount of scientific jargon and philosophical themes, while aiming for a grand, ambitious scope.

Display board

2014-11-13 - Sluzhba bezopasnosti Denʹ

This text presents a series of interconnected observations and analyses, largely framed as criticisms and suspicions regarding events in the United States and Russia. It suggests a narrative of manipulation and strategic misdirection. Key points include:

US Political Interference: The text alleges that John Kerry’s trip to the US was orchestrated to influence the outcome of the November 4th elections and to discredit the Obama administration, referencing a perceived media “cover-up” and a misreporting of Obama’s death.
Russian Political Maneuvering: It criticizes the Russian government’s attempts to reframe historical events (like the October Revolution) and suggests a cynical approach to public opinion manipulation, exemplified by the appointment of Vladimir Kolokolcev as Minister of Internal Affairs.
Geopolitical Concerns: The text highlights concerns about the rise of extremist groups (Islamic State) supported by US intervention, the instability of Ukraine’s political situation, and the potential for financial manipulation surrounding the Russian ruble.
Suspicion of Western Influence: It expresses suspicion of Western involvement in Ukraine’s affairs and suggests that Western financial institutions are manipulating the situation.
Domestic Political Dynamics: The text also touches on internal Russian political dynamics, including speculation about the appointment of Viktor Zolotov as Minister of Internal Affairs.

Overall, the text paints a picture of a world where political events are being shaped by strategic interventions and where information is being deliberately manipulated for political gain.

Novorossiya and the River of Time

2014-11-13 - Vitaliy Averʹyanov

This text documents a two-day visit by journalist Vasily Prokhanov and others to the Mariupol area of the Donbas, shortly before a disputed election in separatist regions. The visit focuses on the efforts of presidential candidate Igor Zinchenko to connect with local residents and bolster morale amidst ongoing conflict.

The narrative portrays a scene of unusual normalcy – a concert featuring patriotic songs, including those from World War II, alongside contemporary artists. It highlights the exhaustion and resilience of the local population, deeply affected by the war and grappling with a sense of displacement.

The visit underscores the complex and unconventional nature of the political situation, characterized by a blend of military operations, attempts at public engagement, and a strong sense of Russian identity and historical grievance. It describes a desire to rebuild and restore a sense of Russian influence, viewing the Donbas as a crucial point in a broader struggle against what is perceived as Western interference and a decline in Russian civilization. The text emphasizes the importance of this region as a potential “axis” for Russia’s future, a place where a new, more assertive Russia can emerge, despite the challenges and the ongoing conflict. It also touches on the logistical difficulties and the significant humanitarian aid being provided by Russia to the region.

From the Varangians to the Greeks

2014-11-13 - Aleksey Kasmynin

On November 4th, Russia celebrated National Unity Day with a mass parade in Moscow, starting at Pushkin’s monument and ending near the Kremlin. Alongside, the “Prussian Rus’ – My History – Rurikids” exhibition opened at Manezhnaya Square, running until November 20th. This multimedia project, focusing on the Rurikid dynasty, utilizes interactive screens, projections, and even a dome recreating a celestial scene. It features approximately 18 themed halls, incorporating educational technology and offering guided tours led by seminary students. Despite a large turnout (around 50,000 visitors by November 9th), the exhibition’s design is described as predictable and somewhat cliché, featuring traditional Russian motifs. The project aims to make history accessible and engaging, and its popularity is evident in the long queues to enter.

He plotted an escape.

2014-11-13 - Vladimir Lichutin

This text is a lengthy, nostalgic reflection on the role of literature and journalism in Russian history, particularly focusing on the figure of Yuri Polakov and his influential literary magazine, “Literaturnaya Gazeta.” It argues that Polakov’s work, though sometimes controversial, was crucial in challenging liberal and anti-patriotic forces during a turbulent period. The narrative traces Polakov’s career, highlighting his sharp, ironic style and his ability to expose the contradictions and failings of various political figures, including Yeltsin and Chernomydin.

The piece emphasizes a deep-seated distrust of liberal ideas and a strong sense of national identity rooted in Orthodox values. It portrays Polakov as a defender of traditional Russian thought against what he perceived as a corrupt and destructive Western influence. The text uses historical anecdotes – such as the depiction of Ivan the Terrible and the “Literaturnaya Gazeta”’s role in challenging the 1993 coup – to illustrate Polakov’s consistent stance.

Ultimately, the text presents Polakov as a vital, if sometimes prickly, voice in Russian culture, one that stood against the perceived moral decay and political instability of the late Soviet and early post-Soviet eras. It suggests that his work, despite facing opposition, was essential for preserving a sense of national identity and promoting a more responsible and patriotic outlook.

Play in a box

2014-11-13 - Lyudmila Lavrova

The text critiques the current state of historical discussions on Russian television, particularly regarding events of 1917 and the Soviet era. It argues that these discussions are often shallow, politically motivated, and rely on manipulation rather than genuine historical analysis. The author expresses disappointment with televised debates, citing examples like the “List of Norkin” show, which featured inappropriate guests and relied on outdated propaganda. It also criticizes the trend of cloning foreign television projects and the lack of originality in Russian television content. The text laments the focus on sensationalism and crime dramas, contrasting them with more thoughtful and nuanced historical portrayals, highlighting the need for Russian television to develop its own unique perspective and avoid simply replicating foreign formats.

The Enigma of MPE

2014-12-04 - Valeriy Torgashov

This text details the remarkable scientific, technological, and economic achievements of the Soviet Union, particularly during and after World War II. From 1949 onwards, the USSR rapidly developed key industries like atomic weapons, rocketry, computing, and electronics, often surpassing or equaling the United States. A central element of this success was the “Method of Increasing Efficiency” (МПЭ), implemented in the mid-1940s. This system utilized incentives – primarily bonuses tied to product quality and cost reduction – to foster a highly motivated and creative workforce. The text highlights how the МПЭ created a unique psychological environment within Soviet enterprises, characterized by collaboration, a sense of shared responsibility, and a focus on innovation.

However, the text argues that the МПЭ was quietly and effectively abandoned in the mid-1950s, primarily under the leadership of Nikita Khrushchev. This shift coincided with a decline in Soviet economic performance. The removal of the incentive system led to a deterioration in productivity, a focus on inflating project costs, and a return to subjective evaluations of performance, fostering competition and distrust among workers. The text suggests that Khrushchev’s actions, while perhaps well-intentioned, ultimately undermined the very system that had driven the USSR’s initial success, leading to a gradual economic decline culminating in the 1980s. The author emphasizes the importance of the МПЭ as a key factor in the Soviet Union’s early achievements and its subsequent demise.

Learn and learn again!

2014-12-04 - Vladimir Boglayev

The text presents a critical analysis of Russia’s position in the global landscape, arguing that its future depends on modernization, innovation, and geopolitical competitiveness. It highlights a stark division within society – a small, highly-educated, and productive elite (the “distributors”) who control resources and influence, contrasted with a large, largely unproductive population (the “plankton”) who consume without producing.

The author contends that this dynamic is driven by technological advancements, decreasing productivity, and a global trend towards urbanization, where people seek proximity to centers of resource distribution. Education is presented as the key to individual competitiveness and, ultimately, national success, but the text expresses skepticism about Russia’s current approach, particularly the emphasis on nationalization as a solution.

A pilot project involving vocational training at a machine-building factory is presented as an example of a potentially positive initiative, emphasizing continuous learning and practical experience. However, the author remains cautious, noting the challenges of systemic change and the influence of competing elite interests. The overall message is a call for widespread education and self-reliance as the primary means of navigating a competitive global environment, concluding with a repeated imperative: “LEARN! LEARN! AND ONE MORE TIME, LEARN!”

Zoil’s Notes

2014-12-04 - Vladimir Bondarenko

The text discusses the 2014 “Большая Книга” literary prize, focusing on the controversial selection of Zakhar Prilepin’s novel “Obel” as the winner. Despite opposition from progressive intellectuals and a perceived bias towards patriotic works, Prilepin prevailed. The author argues that the prize has historically favored liberal writers and that Prilepin’s success represents a shift. The text highlights the perceived dominance of liberal voices in the prize’s history and suggests that Prilepin’s work stands apart from the current literary landscape. It also notes the ongoing debate about the role of national identity and literature in Russia, referencing other prominent authors and the reader’s preference for accessible narratives.

The cannons are not ceasing fire.

2014-12-04 - Aleksey Belozerskiy

Fighting continues along the front lines, primarily in Stantsiya Lugansk, Schastye, the Pervomaysk district, and around Debaltsevo. Both sides are utilizing drones and heavy artillery, with LPR and DPR focusing on consolidating their forces. Ukraine is concentrating on holding defensive positions and intensifying shelling. DPR and LPR are countering by targeting ammunition depots and disrupting supply lines, leading to a decrease in Ukrainian shelling. Fighting is particularly intense around Donetsk Airport, Avdeevka, and Peski, including a significant clash between Ukrainian forces and volunteer battalions in Schastye. Overall, the Novorossiya forces are regaining the initiative, while Ukraine attempts to counter their actions.

Straight questio

2014-12-11 - Aleksey Belozerskiy

The text is a statement from the Minister of Foreign Affairs of the Donetsk People’s Republic, Alexander Koffman, describing the worsening humanitarian situation in the DPR and LPR due to the ongoing conflict with Ukraine. He characterizes the situation as a “humanitarian catastrophe” marked by widespread suffering, death, and economic blockade by Ukraine. Koffman argues that the conflict is not against the Ukrainian people but against Ukrainian “fascism” and its leaders, and calls for the cessation of hostilities and the accountability of those responsible for the suffering. He references a historical analogy to emphasize this distinction.

Musi

2014-12-11 - Andrey Smirnov

Igor Rasteryaev’s new album, “Roжок,” represents a continuation of his unique style, blending regional folk influences with a broader, almost timeless, Russian sensibility. Despite a lack of a cohesive concept, the album contains strong, memorable songs that utilize melody effectively, often creating a powerful impact without relying on explicit lyrical content. Rasteryaev’s work avoids overly specific historical or political narratives, instead focusing on a general, almost nostalgic, portrayal of Russia and its people. He skillfully incorporates elements of Russian folk music, including the balalaika and accordion, while maintaining a lighthearted and somewhat apolitical stance, even as his videos generate debate. The album’s success lies in its ability to evoke a sense of familiarity and warmth, presenting a comforting, if somewhat idealized, vision of Russia.

It’s done!

2014-12-11 - Vladislav Shurygin

The text critiques the television series “Soviet Empire” and its journalist, Alexei Konduyukov, for presenting a highly distorted and fabricated account of Soviet history, particularly concerning the “Lecholek” icebreaker and related expeditions. It exposes Konduyukov’s inaccuracies and deliberate misrepresentations, debunking claims about the purpose of the expeditions, the fate of the “Pijma” vessel and its prisoners, the actions of figures like Karatsupa and Sobolev, and the capabilities of the “Lenin” icebreaker. The author argues that the series is driven by a simplistic and negative anti-Soviet bias, presenting a deliberately misleading and inaccurate portrayal of Soviet history, comparing it to the work of “Lenia Parfenov”. The text concludes that the series is a product of a biased and unprofessional media outlet, characterized by a lack of critical thinking and factual accuracy.

Year of Literature - 2014

2014-12-25 - Vladimir Bondarenko

This text is a review and assessment of Russian literature in 2014, highlighting a significant number of notable publications. The year was characterized by a strong focus on historical themes and biographies, particularly those concerning iconic figures like Mikhail Lermontov, Vasily Rozanov, and Nikolai Gumilev.

Several key books received particular praise, including Zahar Prilepin’s “The Shelter,” Valery Shubin’s biography of Gumilev, Valery Fateev’s biography of Rozanov, and several biographical works on figures like Nikolai Klyuev and Vladimir Nabokov. The reviewer notes a trend towards a deeper engagement with Russian history and a willingness to revisit controversial figures.

The text emphasizes the importance of these publications, suggesting they represent a valuable contribution to the literary landscape and a renewed interest in exploring Russia’s past. It concludes with an observation about the overall trend in contemporary Russian literature – a preoccupation with understanding and interpreting Russian history.

Vertical

2014-12-25 - Olʹga Suslova

The text discusses a symposium in Moscow focused on energy-efficient buildings, a currently popular topic. While the focus was on insulation materials like mineral wool and expanded polystyrene, the discussion largely centered on the limitations and shortcomings of current approaches. Despite advancements in materials, insulation remains a relatively simple and often ineffective solution, particularly when not integrated into a holistic building design. The symposium lacked attention to more fundamental architectural principles, such as maximizing building width and minimizing exterior wall perimeter, which were successfully employed in Soviet-era designs like the “КП” series of houses. These designs prioritized passive energy efficiency and durability, offering significant cost and energy savings over their lifespan. The author criticizes the current trend of relying on supplementary technologies and achieving superficial energy efficiency metrics, arguing that a return to simpler, more comprehensive architectural solutions is needed.

Play in a box

2014-12-25 - Lyudmila Lavrova

The text reflects on Russian television’s coverage of the 2014 events in Ukraine and Crimea, emphasizing the significant role of Russian channels in presenting a particular narrative. It praises the bravery and risk-taking of Russian journalists covering the conflict in Ukraine, particularly on the front lines of the Maidan and Donbas. The author highlights the importance of diverse voices, including those of Russian parliamentarians and public figures advocating for historical ties with Russia, and acknowledges the contributions of journalists like O. Yakhno. It criticizes accusations of propaganda leveled against Russian television and celebrates the quality of domestic documentary films and historical productions, such as those concerning World War I and the “Great Game.” The text expresses concern about the lack of original content in entertainment and serial programs, suggesting a continuation of this observation in a future discussion.